K Is for Killer

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Lorna Kepler was beautiful and willful, a loner who couldn't resist flirting with danger. Maybe that's what killed her. Her death had raised a host of tough questions. The cops suspected homicide, but they could find neither motive nor suspect. Even the means were mysterious: Lorna's body was so badly decomposed when it was discovered that they couldn't be certain she hadn't died of natural causes. In the way of overworked cops everywhere, the case was gradually shifted to the back burner and became another unsolved file. Only Lorna's mother kept it alive, consumed by the certainty that somebody out there had gotten away with murder. In the ten months since her daughter's death, Janice Kepler had joined a support group, trying to come to terms with her loss and her anger. It wasn't helping. And so, leaving a session one evening and noticing a light on in the offices of Millhone Investigations, she knocked on the door. In answering that knock, Kinsey Millhone is pulled into the netherworld of unavenged murder, where only a pact with the devil will satisfy the restless ghosts of the victims and give release to the living they have left behind. Eleven books into the series that has won her readers around the world, Sue Grafton takes a darkside turn, pitching us into a shadow land of pain and grief where killers still walk free, unaccused, unpunished, unrepentant. With "K" is for Killer she offers a tale that is dark, complex, and deeply disturbing. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X" ** From Publishers Weekly The 11th adventure of Santa Teresa, Calif., PI Kinsey Milhone has a dark tone--due in great part to Kinsey's working this case mostly at night. Kinsey agrees to look into the 10-month-old death of Lorna Kepler, a young woman whose decomposed body was discovered in her cabin so long after death that it was impossible to determine the cause. Kinsey's client, Lorna's mother, who works the night shift in a 24-hour diner, suspects murder. So does Kinsey, especially after investigating Lorna's effects and her considerable assets, some unaccounted-for. An anonymously delivered pornographic tape adds to the emerging portrait of the dead woman as an intriguingly self-sufficient, ambitious woman of the evening. In nighttime forays, Kinsey talks to an all-night deejay whom Lorna often visited at his studio; she meets--and befriends--a prostitute who occasionally teamed up with Lorna to party with clients. She also investigates the victim's day job as a part-time receptionist for the water district, where a high-stakes development project is currently raising tempers. A host of suspects includes a porn filmmaker in San Francisco, members of Lorna's family, her landlord, the water district employees and even a smooth-dressing cop, whom Kinsey talks to at night. But lack of sleep dulls Kinsey's perceptions and it takes two more deaths and the surprise appearance of a deus ex limousine to lead her to a solution. Even sleep-deprived, Kinsey shows spunk and appeal, but she is not at her sharpest here. 600,000 first printing; author tour. Copyright 1994 Reed Business Information, Inc. From School Library Journal YA-Asked to investigate the death of 25-year-old Lorna Kepler, which occurred 10 months earlier, P.I. Kinsey Millhone uncovers the young woman's secret life as a high-class call girl, her half a million dollars in blue-chip investments, but no clue as to the murderer. The main plot is strengthened by several subplots including the whereabouts of a $20,000 withdrawal made the day of Lorna's death; the misleading spying antics of her landlo